{"id":405,"date":"2025-07-09T15:04:48","date_gmt":"2025-07-09T13:04:48","guid":{"rendered":"https:\/\/xavier-montoy.com\/?page_id=405"},"modified":"2025-07-09T15:04:49","modified_gmt":"2025-07-09T13:04:49","slug":"geometrie-organique","status":"publish","type":"page","link":"https:\/\/xavier-montoy.com\/index.php\/geometrie-organique\/","title":{"rendered":"G\u00e9om\u00e9trie organique"},"content":{"rendered":"\n
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G\u00e9om\u00e9trie organique<\/h2>\n\n\n\n

Tableaux muraux int\u00e9grant des fragments d’\u00e9lytres de col\u00e9opt\u00e8res.<\/em><\/em><\/em><\/p>\n\n\n\n

Sternocera aequisignata, un col\u00e9opt\u00e8re d\u2019Asie du Sud-Est, est r\u00e9pandu dans le nord-est de la Tha\u00eflande. Ses carapaces iridescentes, collect\u00e9es de mani\u00e8re responsable apr\u00e8s le cycle de vie des insectes, deviennent un mat\u00e9riau aux reflets changeants, o\u00f9 la lumi\u00e8re se d\u00e9compose en teintes mouvantes.<\/p>\n\n\n\n

Fix\u00e9s par un m\u00e9tal poli ou bross\u00e9, ces fragments cr\u00e9ent des compositions murales qui \u00e9voquent autant les codes de la science-fiction que ceux des formes naturelles. L\u2019iridescence des \u00e9lytres, presque artificielle, contraste avec leur origine organique, comme si la mati\u00e8re elle-m\u00eame oscillait entre le vivant et une vision manufactur\u00e9e de l\u2019avenir.<\/p>\n\n\n\n

Ces sculptures interrogent notre rapport au vivant : elles imaginent des utopies o\u00f9 la nature s\u2019int\u00e8gre harmonieusement dans des espaces modernes, mais aussi des dystopies o\u00f9 sa pr\u00e9ciosit\u00e9, encapsul\u00e9e et f\u00e9tichis\u00e9e, devient un vestige d\u2019un monde pass\u00e9. \u00c0 travers cet \u00e9quilibre fragile entre fascination technologique et c\u00e9l\u00e9bration de la vie, chaque pi\u00e8ce invite \u00e0 r\u00e9fl\u00e9chir \u00e0 la place du vivant dans nos futurs possibles.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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G\u00e9om\u00e9trie organique Tableaux muraux int\u00e9grant des fragments d’\u00e9lytres de col\u00e9opt\u00e8res. Sternocera aequisignata, un col\u00e9opt\u00e8re d\u2019Asie du Sud-Est, est r\u00e9pandu dans le nord-est de la Tha\u00eflande. Ses carapaces iridescentes, collect\u00e9es de mani\u00e8re responsable apr\u00e8s le cycle de vie des insectes, deviennent un mat\u00e9riau aux reflets changeants, o\u00f9 la lumi\u00e8re se d\u00e9compose en teintes mouvantes. Fix\u00e9s par […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-405","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/xavier-montoy.com\/index.php\/wp-json\/wp\/v2\/pages\/405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xavier-montoy.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/xavier-montoy.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/xavier-montoy.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xavier-montoy.com\/index.php\/wp-json\/wp\/v2\/comments?post=405"}],"version-history":[{"count":1,"href":"https:\/\/xavier-montoy.com\/index.php\/wp-json\/wp\/v2\/pages\/405\/revisions"}],"predecessor-version":[{"id":410,"href":"https:\/\/xavier-montoy.com\/index.php\/wp-json\/wp\/v2\/pages\/405\/revisions\/410"}],"wp:attachment":[{"href":"https:\/\/xavier-montoy.com\/index.php\/wp-json\/wp\/v2\/media?parent=405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}